

Concert
FACULTY RECITAL
This evening at UBC Robson Square, the festival's artist-faculty trade the masterclass studio for the concert stage. Ruoyu Huang, Spencer Myer, Wayne Weng, and Shirley Yoo present a program of solo works and chamber music for two pianos, offering the audience a side of these artists rarely seen during the festival — not as teachers, but as collaborators and performers, in a program as varied and personal as the six voices that bring it to life.
This evening at UBC Robson Square, the festival's artist-faculty trade the masterclass studio for the concert stage. Ruoyu Huang, Spencer Myer, Wayne Weng, and Shirley Yoo present a program of solo works and chamber music for two pianos, offering the audience a side of these artists rarely seen during the festival — not as teachers, but as collaborators and performers, in a program as varied and personal as the six voices that bring it to life.
This evening at UBC Robson Square, the festival's artist-faculty trade the masterclass studio for the concert stage. Ruoyu Huang, Spencer Myer, Wayne Weng, and Shirley Yoo present a program of solo works and chamber music for two pianos, offering the audience a side of these artists rarely seen during the festival — not as teachers, but as collaborators and performers, in a program as varied and personal as the six voices that bring it to life.
This evening at UBC Robson Square, the festival's artist-faculty trade the masterclass studio for the concert stage. Ruoyu Huang, Spencer Myer, Wayne Weng, and Shirley Yoo present a program of solo works and chamber music for two pianos, offering the audience a side of these artists rarely seen during the festival — not as teachers, but as collaborators and performers, in a program as varied and personal as the six voices that bring it to life.
This evening at UBC Robson Square, the festival's artist-faculty trade the masterclass studio for the concert stage. Ruoyu Huang, Spencer Myer, Wayne Weng, and Shirley Yoo present a program of solo works and chamber music for two pianos, offering the audience a side of these artists rarely seen during the festival — not as teachers, but as collaborators and performers, in a program as varied and personal as the six voices that bring it to life.
This evening at UBC Robson Square, the festival's artist-faculty trade the masterclass studio for the concert stage. Ruoyu Huang, Spencer Myer, Wayne Weng, and Shirley Yoo present a program of solo works and chamber music for two pianos, offering the audience a side of these artists rarely seen during the festival — not as teachers, but as collaborators and performers, in a program as varied and personal as the six voices that bring it to life.
UBC Robson Square
Program
GEORGES BIZET (1838-1875)
Carmen Overture (arr. Arnoldo Sartorio)
– Ruoyu Huang, Shirley Yoo, Spencer Myer
JOHANN SEBASTIAN BACH (1685-1750)
Liebster Jesu, wir sind hier, BWV 633 (arr. György Kurtág)
Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. György Kurtág)
– Ruoyu Huang, Wayne Weng
FRANZ LISZT (1811-1886)
Concert Paraphrase on “Miserere” from Verdi’s Il Trovatore
– Wayne Weng
JOHANNES BRAHMS (1833-1897)
Hungarian Dance No. 3 F major
Hungarian Dance No. 4 F minor
Hungarian Dance No. 6 in D-flat major
– Shirley Yoo, Spencer Myer
CLAUDE DEBUSSY (1862-1918)
Selection from Préludes
Voiles
Le vent dans la plaine
Ondine
Feux d’artifice
– Spencer Myer
WILHELM GANZ (1833-1914)
“Qui vive!” Grand Galop de Concert, op. 12
– Wayne Weng, Shirley Yoo, Ruoyu Huang
GEORGES BIZET (1838-1875)
Carmen Overture (arr. Arnoldo Sartorio)
– Ruoyu Huang, Shirley Yoo, Spencer Myer
JOHANN SEBASTIAN BACH (1685-1750)
Liebster Jesu, wir sind hier, BWV 633 (arr. György Kurtág)
Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. György Kurtág)
– Ruoyu Huang, Wayne Weng
FRANZ LISZT (1811-1886)
Concert Paraphrase on “Miserere” from Verdi’s Il Trovatore
– Wayne Weng
JOHANNES BRAHMS (1833-1897)
Hungarian Dance No. 3 F major
Hungarian Dance No. 4 F minor
Hungarian Dance No. 6 in D-flat major
– Shirley Yoo, Spencer Myer
CLAUDE DEBUSSY (1862-1918)
Selection from Préludes
Voiles
Le vent dans la plaine
Ondine
Feux d’artifice
– Spencer Myer
WILHELM GANZ (1833-1914)
“Qui vive!” Grand Galop de Concert, op. 12
– Wayne Weng, Shirley Yoo, Ruoyu Huang
GEORGES BIZET (1838-1875)
Carmen Overture (arr. Arnoldo Sartorio)
– Ruoyu Huang, Shirley Yoo, Spencer Myer
JOHANN SEBASTIAN BACH (1685-1750)
Liebster Jesu, wir sind hier, BWV 633 (arr. György Kurtág)
Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. György Kurtág)
– Ruoyu Huang, Wayne Weng
FRANZ LISZT (1811-1886)
Concert Paraphrase on “Miserere” from Verdi’s Il Trovatore
– Wayne Weng
JOHANNES BRAHMS (1833-1897)
Hungarian Dance No. 3 F major
Hungarian Dance No. 4 F minor
Hungarian Dance No. 6 in D-flat major
– Shirley Yoo, Spencer Myer
CLAUDE DEBUSSY (1862-1918)
Selection from Préludes
Voiles
Le vent dans la plaine
Ondine
Feux d’artifice
– Spencer Myer
WILHELM GANZ (1833-1914)
“Qui vive!” Grand Galop de Concert, op. 12
– Wayne Weng, Shirley Yoo, Ruoyu Huang
GEORGES BIZET (1838-1875)
Carmen Overture (arr. Arnoldo Sartorio)
– Ruoyu Huang, Shirley Yoo, Spencer Myer
JOHANN SEBASTIAN BACH (1685-1750)
Liebster Jesu, wir sind hier, BWV 633 (arr. György Kurtág)
Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. György Kurtág)
– Ruoyu Huang, Wayne Weng
FRANZ LISZT (1811-1886)
Concert Paraphrase on “Miserere” from Verdi’s Il Trovatore
– Wayne Weng
JOHANNES BRAHMS (1833-1897)
Hungarian Dance No. 3 F major
Hungarian Dance No. 4 F minor
Hungarian Dance No. 6 in D-flat major
– Shirley Yoo, Spencer Myer
CLAUDE DEBUSSY (1862-1918)
Selection from Préludes
Voiles
Le vent dans la plaine
Ondine
Feux d’artifice
– Spencer Myer
WILHELM GANZ (1833-1914)
“Qui vive!” Grand Galop de Concert, op. 12
– Wayne Weng, Shirley Yoo, Ruoyu Huang
Ruoyu Huang piano
Spencer Myer piano
Wayne Weng piano
Shirley Yoo piano
similar events
Concert
GALA CONCERT
The festival culminates this evening with a Gala Concert featuring the six winners of the VPS Concerto Competition performing alongside the Vancouver Metropolitan Orchestra under the baton of its founder and Music Director, Maestro Kenneth Hsieh.
tickets
General Admission

